-Core is the new term for just aesthetics, and I think that’s much more fitting over punk. Though in the case of steampunk, it’s one of the oldest -punks so getting people to swap over to steamcore or something would probably be met with a lot of opposition.
That just sounds like that thing where entering a place of comfort makes the body relax, which could easily trigger said urge, the quirk here is that this lady had it pinpointed to bookstores.
What an incredibly superficial comparison.
“BotW/TotK is the same because it’s an open world anime game with action combat.”
“Tales of Arise is a seemingly open world anime game with action combat.”
“Final Fantasy 7 Rebirth is an open world anime (realistic style but still anime AF) game with action combat.”
Blue Protocol is an MMO, with MMO gameplay and design philosophy that just happens to have a cel shaded anime aesthetic which has existed loooooooong before Genshin somehow ‘monopolised’ the style. Meanwhile Genshin is a mostly single player experience with some online elements. Look at your apples before you start calling them oranges.
If anything, the article talks about the developers being surprised at how much of a casual audience the game attracted and I wouldn’t be surprised at all if the exact same people that are comparing it to Genshin somehow thought they’d get the same experience out of a grindy MMO.
iTs AnImE.
But do you use Linux?
Here’s another one, Solace Dreams https://youtu.be/IcrYfmkPl-E also really impressive, though the game didn’t seem all that balanced when this video was posted, not sure if it’s been improved since or if the creators moved on to another project.
Doom wads and hacks in recent years have been doing some absolutely insane things, and it’s only been getting better as more and more people are realising the things they can do with it. I’m not surprised in the slightest.
Total Chaos has got to be the most mind-blowing to me, it’s a total conversion mod built of GZDoom. https://youtu.be/L7IITZDBvqE
25 years too late, downtown is a fucking ghost town now, no idea what the hell they’re thinking.
“Don’t be evil”
Shit writes itself.
It was already being developed for PC… until Sony stepped in.
Central America is still North America too, that would’ve included El Salvador, Guatemala, and Honduras as well.
I remember it being convenient for getting screenshots off it to pc quickly, but I don’t know if there’s a better method of doing so. I rarely, if ever, use the share function to begin with.
How exactly? I lost my pro controller before I ever got to experience anything wrong with it.
That’s a big part of the appeal of some artists, they can keep the panels clean while not detracting from the action. They’re few and far between, but they are out there.
I miss when the products themselves weren’t cheap garbage. Back in the early 00s they hit a stride of products that were cooler versions of products available everywhere else, same function, better form.
the problem is companies have weaponised complacency, there’s too many people that don’t care and that’s why they keep getting away with it. do it enough times and people will begin to think it’s inevitable and just put up with it.
Oma and Shu were two lovers from feuding villages that were forbidden from seeing each other, but after learning Earthbending from the giant badgermoles, they went on to build an elaborate tunnel system in order to continue meeting in secret. Shu is killed during a conflict between the villages and Oma then uses earthbending to unify both sides, thus Omashu is founded.
The two lovers are originally male and female, but the adaptation ‘netflixes’ the couple into being two females instead. This of course has caused a stir between all sorts of opinionated folk. Personally, I found the change to be a half-assed attempt at inclusivity, it felt like someone just CTRL+F’d all the male descriptors and replaced them with female ones. It’s as if the series doesn’t already have plenty of representation they could have pulled from. Hell, they had Kyoshi on screen, they could have easily given her a line about “protecting your loved ones” and shown Rangi.
This here is what bugs me so much about the adaptation, I’ve seen so many people defend the show “because they had to cover a lot of ground in such a short amount of time” the runtimes are so incredibly close it’s absurd how much Netflix botched it in favour of nothing.
Supposedly they argue it’s because they wanted to make Book 1 more exciting and “good like the other Books” which is a disservice to how good Book 1 was back then to make us excited about what comes next.
Obviously the episodic format of the original wouldn’t have translated well into live action and there were some moments that were expected to be cut, like riding the elephant koi or the fortune-teller episode, but the insane mish-mashing of episodes, especially during the Omashu stuff, was ridiculous. For example, between two scenes of Aang and Bumi walking through a hallway, we get Zuko chasing after Iroh’s captors, and the entire secret tunnel section, including the entire backstory of the city, and then it finally cuts back to Aang and Bumi arriving at their destination. All that comes at the cost of giving the audience a rushed and extremely watered-down cliff notes version of the original stories.
is this not SEGA being cheeky about Ubisoft claiming that Skull & Bones is a quadruple A game?
or are they being serious that they’re dumping that much into Crazy Taxi?
I was aware it was a pre-existing term, but it’s seeing a bit of resurgence, even in music, presumably because the younger generations think they’re inventing things left and right.
What on earth is crust-punk by the way? First I’ve ever heard of that.